I often tell people playwriting is not a job; it’s a vocation. Even the major players in American theatre have teaching gigs or other jobs. But there is a higher purpose served by playwriting of which I am privileged to play a part.
by Michael Elyanow
We hear it a lot about playwriting—that there’s no money in it. Whether or not that’s actually true, I had the opportunity to talk about this issue recently when I met with a young playwright, a senior at Northwestern University’s Creative Writing for the Media Program, who wanted to pick my brain about how I’ve managed to make it as a career playwright.
But first: let’s try and define make it. I, like a lot of playwrights, struggle. I struggle to write, and to write well. I struggle to get productions, workshops, grants, commissions, and more. Like hundreds of other playwrights, I spend days putting together applications to get into conferences, festivals, and residencies. And, like hundreds of other playwrights, I receive many more rejection letters than congratulatory calls.
Second: let’s define career. If you mean a reliable paycheck—nope (see above). If you mean health benefits…
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